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A bit of a rant.

I am Frustrated with two of my five classes, for almost the same reasons! How crazy is that? Maybe I am hard to please, maybe I'm really picky or maybe I don't want to put up with bull shit.

So here is a list of the 5 things I despise in a class and from teachers;

Before we continue - I would like everyone to make a note that these become problems for me when I’m at an expensive private school. I am paying a lot to take these classes so I expect a lot out of them. I think one of my friends freshman year calculated what each class lesson costs if you have five classes, by taking basic tuition (no living expense and fees) and divide that up. It came out to around $250 for every three hours, so I want every three hours to be worth that. If I don't feel like it is, then we are going to have problems.    

  1. Not having a class syllabus - for any reason.

Two of my classes have not yet given me a syllabus, for two equally stupid reasons. My ceramics class declined to give one out so we couldn't think ahead - That is the F*&#$^*! point of the syllabus, so we can look ahead and plan our schedules accordingly. Syllabus are even more important for a studio class when the entire curriculum is project based - clay can only dry so fast, metal takes time. If you don't want to give us the project brief (the more in depth details of a project) that's fine, but I want to know how many projects we are doing and when they need to be done. By not giving me a syllabus your class has dropped way down my priorities list because you don't respect me and my other classes enough to give me a outline for the amount of work required for your class.  

If the ceramics class is frustrating, the Zen Gardening class is mind-numbingly infuriating.  I had to take this class, it was the only one that fit in my schedule that would meet the requirements I needed, and I had hopes that it would be good. Those hopes have disappeared so completely that I don't even remember them too well. We arrived on the first day to learn that she was making minor changes to the syllabus and would give us one next week. The week after she told us she was changing the class up a bit and would have one for us soon. We are now four weeks in, with no hint of the syllabus, and worse she seems to have decided that she is not going to teach what was on the class description at all, so its not even the class I originally signed up for.  The time to reevaluate your class curriculum is not the day the class starts - that point was weeks before, and if your class has changed then its no longer the class we wanted to take. In this case the class was to be an overview of Japanese gardening covering traditional gardens, basic Japanese aesthetic ideas - such as Wabi Sabi, Bonsai practice, and Ikebana or Japanese flower arrangement. Over the past two weeks she has decided (slowly- she's not super on top of it) that Ikebana was what she wanted to teach us, so the two books we have already bought are now pointless, and we are not learning any of the things I was excited to learn, plus, we now need to invest in specialized gardening tools and flowers. It's rude and irresponsible of her to do this and worse we don't know this for sure because she STILL HAS NOT GIVEN US A SYLLABUS!!!!

2. Not expressing your explanations for work clearly.

Part of this goes along with not giving a syllabus - part of the advantage to having project briefs is we have one stable source of information all laid out, we can see what is due and in what order - and if something has to change then it is easy to correct and adjust for those changes. Maybe this is just an art school problem, but most of my teachers are artists and there is truth in the stereotype that artist are crazy and unstable. It is quite common to ask the same question on two different days and get two different answers - so if you can't explain to me what is due next week clearly and consistently, then I'm not doing it. The teacher clearly didn't care enough to try to express themselves clearly so I'm not going to invest my valuable time in trying to work it out.

3. Showing YouTube videos in class - and calling it teaching.

I shouldn't even have to say this. Showing whole videos in class is a practice that should not extend past public school when your class has a substitute the usual teacher doesn't trust. If you're showing a clip to illustrate a point then fine - if its the main thing we do in a class, that's not OK. I can surf YouTube just as well, if not better then the teacher.  I could do this at home, its not acceptable for my expensive college class to be relying on videos made by other people on a public platform that is free - why do I show up to class for that?  If the teacher adds nothing but clicking a button to the class, and is not teaching me something I could learn for free somewhere else. I'm going to become annoyed very quickly - may I remind you that my family is paying a ton of money for me to come here, I want to learn something that I can only gain from the teaches here or the CCA environment. I can watch videos all on my own. I have a YouTube account.   

4. Giving demos that are unhelpful, poorly done or pointless.

This falls into the category of wasting my time and money, just like YouTube - if your demo is something I could learn faster, better or for free, why am I here?

Note: if a teacher messes up mid demo I don't consider this a problem, in fact, in correcting their mistakes I often learn more then I would have otherwise.

5. Requiring outside class time for meetings and gatherings without the time/money being considered.  

I am all for field or class trips, I believe going somewhere and gaining an experience outside of the classroom is very, very valuable. Some of my favorite school memory were field trips I took. Going to the zoo in elementary school to make birthday cakes for the baby elephant, spending a week in Washington DC in seventh grade or going to the art museum and the flower show in high school. Those were all amazing experiences. In College things are a bit different. if you want me to go somewhere or do something outside of class in replacement of homework or being in class then that's fine - if its fairly cheap and easy to get to those are also pluses.

I have two classes this semester that are handling this really well. One is my African American Art class, where the instructor  believes that we need to go places and do things to really understand what he wants us to understand. So far we have had two events - one was going to see the movie Selma, and the other was going to a comedy club. For both of these he gave us multiple options on how we could accomplish this and in understanding of the time they would take, he canceled two classes. He also has stressed that this class will be like this, so no books or outside supply was required, instead he wants us to spend that money on the outings. Same thing with my Interdisciplinary Critique class, where the majority of the class will center on a short trip to visit galleries in LA - they realized it was expensive and would take a lot of our time, and in recompense they have canceled several classes and require no other supplies.

But if a teacher requires all three - coming to class, homework, and time at an event such as a lecture, symposium, or whatever else, especially without advanced warnings, you can bet I won’t be going.

After writing all this out it seems they all come down to respecting your students and not wasting class time because in this case (as in most cases) time is money. It’s amazing to me that teachers here can think these things are acceptable. I hate to be the one student in class who expresses their discontent in an assignment or process, but on the other hand these things need to be called out. If I feel that the assignment or the class was pointless then they will hear about it. Most teachers work hard, but if I don't feel that my teachers are respecting me or my time or trying to further my education then I'm going to tell them (and upper administration) about it..   

I feel lots better now that I have typed that out. Thanks for reading my dark, mean thoughts. Hopefully I won't need a second rant and things can be cheerful again in the next post.

Talk to you later - Katie

Thursday 02.19.15
Posted by Katie Edgerton
 

Reading anything good?

Hi everyone,

I have been on a huge Non - Fiction kick. when I am in school the pass of my reading goes way down and my audio book listening goes up. so in the past three weeks I have worked my way twice more through Bill Bryson's great book At Home: a brief history of privet life. - I have already read this in book form but its so good I wanted the audio book. The author reads it - something I'm not really ever a fan of but he does well and its just so interesting that it doesn't matter. 

 After that I moved on to Stiff: the curious lives of human cadavers by Mary Roach. I have read nothing by her before but now I'm hooked she is hilarious and informative! like Bill Bryson! I finished Stiff (really enjoyed it - if you can deal with some morbidity) and moved on to Bonk: the curious coupling of science and sex. Bonk was also very good but I think that Stiff may have been the slightly better one simply because it made my examine my own morals and ideas.

After Bonk I took a break from Mary Roach and started lessoning to Quiet: the power of introverts in a world that cant stop talking By Susan Cain.

half self help half nonfiction its very interesting and I'm learning a lot and its explaining some things about myself and society that I always wondered about. I have only about a hour of the book left so I'm starting to look for the next one - I might go back to Mary Roach to read her newest book Gulp or maybe Spook. we shall see. 

and that's what I have been reading, what about you? anything good? leave a comment below :) - Katie 



tags: Books, non fiction, CCA, School
Friday 02.13.15
Posted by Katie Edgerton
 

Rain in Oakland Vs. Rain in Seattle

So it's been raining all weekend - and ruined my plans to go swimming on Friday (the pools outside- not normally a problem) there is something different about rain in Seattle then in Oakland. In Seattle rain is normal in Oakland its a problem.  

people and the environment are not set up to expect rain - projects are ruined because they are left outside, people seem to forget how to drive and make stupid moves. if there is real rain - like the rain of the past few days, people cancel activity's because of the rain, and buildings flood (last time it rained like this three building had mild/moderate flooding on the Oakland campus)

so whall California desperately needs this rain and i love the rain - I could do without the problems it causes and will be happy when the heavy clouds pass.

my weekend was quiet and calm - I finished a pendent on Friday. 

  

and I took tiles of photos of the three titles that I made last week. they are not great and have not (and may never be fired) but in the air of keeping a realistic online diary here's the photo. 

and here is one of my friend's Sudie being a boss and hand rolling a 2 inch slab out.  

since I got a little extra time this weekend (my babysitting gig canceled due to - you guessed right- Rain.) so I sorted through some photos I found some great ones I took of Seattle and Toronto so I will share them below.  

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Hope your weekend was calm and quiet - Katie 

Hope your weekend was calm and quiet - Katie 

Hope your weekend was calm and quiet - Katie 

Monday 02.09.15
Posted by Katie Edgerton
 

Well maybe this wasent the best idea...

So I'm starting to rethink taking this ceramics course. I have noticed that whenever a teacher says they are open to interpretation of projects or have no expectations for what they want out of an assignment they really have the most expectations. *sigh*
We had the first crit for the first silly warm-up project. The assignment was to pick an early memory and pick a moment from that memory and then to use a dull pencil we were asked to draw it in three different ways on three different small clay tiles. I was ok with this - not excited but it's the first easy warm up project so fine.
This project requires drawing skills - he was quick to assure us that anything drawing wise was fine. I don't like drawing; I only have a set of skills that pertain to jewelry sketching that is a lot of drafting. In fact, the only drawing class I have taken (Freshman year - still one of the best classes I have taken) was a drafting class. 
that's all fine.
We get in crit, and him started in on the first person revealing along the way that we are all to pick the tile with the most perspective to make bigger and build out in 3d with clay. This is a pet peeve of mine - Surprise! the next project we are doing is based off the stupid project you just finished! UGHHHHH and of course because he never told us we needed perspective I drew everything with minimal perspective. Making my next project even sillier and more pointless then the first.
well I'm stuck in the class now as our two week add-drop period is over, maybe it will get better? or I could soon reach a point where i no longer care about the projects and suffer through just to make a passing grade. we will see...

 

also this is the second post I have done with no photos I will try to change that for the next one :) 

 

- Katie 

Wednesday 02.04.15
Posted by Katie Edgerton
 

School has started up again!

School has started again, and I have a lingering cough and low energy levels due to the horrible flu I caught the last week I was home.

 

Today (and for the next few days) I am that girl in class with that really terrible cough that you just wish would go away in case she comes too near and infects you.

 

My classes look quite good this semester.

I have a fun and unrelated elective for the first time in a while, and it is my only class on both Monday and Wednesday, allowing me to have an easy start to the week. My ceramics teacher is an older man, as crazy as you think a man should be who is teaching a clay class called The Five Themes. I have to confess that I hope to work mainly on the wheel and he seems open to that. He is also a champion talker - as a talker I recognise talent. I need some input to keep going after a point, but he doesn't seem to need this, he can just keep going. The whole first hour was him explaining the five realms that it appears he has made up and he believes encompasses all of art.  

 

Thursday is going to be the really hard day. I have three classes. Starting at noon, there is Interdisciplinary Critique class followed by an hour break, then a class called Zen and the Japanese Garden. This class is super random, as some of the academic class at CCA seem to be. It's taught by an older, slightly scatterbrained lady who seems to know her stuff and is nice enough. I don't have huge expectations for this class, but I think it will be interesting enough. Then comes the most challenging transition of the day. I have a 15-minute break before an African American Diversity Studies class starts. Not only is the subject matter completely different but its in the same room as the Zen class, so I spend over 6 hours in the same small room in the horrid B building that can never seem to get heating or cooling right.

I shall have to write a full post on the African American studies teacher, but for now, let's say he is the type of teacher to say just about anything for a reaction.

 

So the only class I have not had is probably the most important class of the semester. Senior project - this class takes place for 6 hours on Tuesday and I missed the first class due to the flu and pushing back my flight.  I know I will enjoy this class so I'm going to call this semester of classes a success.  

 

tags: CCA, Katherina Edgerton, Katie Edgerton, Flu
Sunday 01.25.15
Posted by Katie Edgerton
 

Finding CAD's place in the Studio - a paper

Hi everyone, if your still there...wow its been forever. I want to post a paper I wrote this semester here. I enjoyed writing it and really thinking about the the topic. Its a bit long so fair warning.

 

Finding CAD's place in the studio - a look at CAD/CD/RP use in Craft practices.

 

Digital processes are expanding the limits of craft practice. As a jeweler, I enjoy incorporating computer-aided design (CAD) and rapid prototyping (RP) into my studio practice. It allows me to do the precise technical aspects of my work without distracting me from the ideas and aesthetics underlying the piece. By harnessing the computer’s capabilities in complex geometry, I feel I am able to make a better quality piece of jewelry. Despite how adaptive and useful CAD/RP can be, it has been relatively slow to spread to the craft community. By understanding why this is, we can start to move forward into incorporating it better into the studio. If the Craft community continues to be hesitant to accept CAD/RP technology into their practice, the craft community will struggle to grow and possibly be phased out by industrial design.

Societies and organizations that fail to adapt perish. This is true on a large or small scale. We see this all the time with companies - one fails to adapt to the changing market or consumer base, loses business, and fails, to be replaced by one that does. CAD/RP technologies had been around since the 1950's and 1960's, when their uses became apparent for the design community, who were quick to start adopting and using the new technology. It was harder to grasp the value that this technology could bring to craft. It was not until around the 2000's that digital fabrication began to be talked about in the Arts and Craft communities. As the software became a bit more user-friendly, some of the patent fell into the public domain, and the price point of entry lowered. As it to begin to be adopted by more people, it started to cause a bit of discord in the Arts and Crafts world. [1]

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There is a danger that by ignoring or not fully accepting this new technology, craft will be eclipsed by Industrial design in the consumer's mind - causing craft to fade away slowly. If craft fails to meet the new challenges that technology brings, it will become outdated and arcane. Craft’s main purpose and goal is to be able to create something custom, durable and unique. It takes something practical and useful and elevates it. In Hal Foster's book "Design and Crime" [2] he uses the term " Flexible Specialization" . Idea is that design and large scale production is now able to produce things that are less general and more targeted to an individual's needs and wants. This is true more now than ever. In some regards Craft has always been “Flexible Specialization” on a small, even personal scale, however, industry is now able to adapt to the consumer's wants and needs very quickly and accurately. If Craft is going to be able to survive, it must continue to grow. By expanding how we think about new technologies, the craft community will be able to grow and be more relevant in the modern world. In fact, Craft is in a great position to take advantage of these new technologies if we could get over some of the challenges that new technologies bring. In an article for American Craft, written by Julie K. Hanus called "Brave New World", she quotes Anna Walker, a Wingate curatorial fellow at the Museum of Fine Arts, Houston, in saying "Craft has historically been about customizations, and because of that, craft artists are poised to harness these digital technologies and their maker culture as a friend of the field Craft is in a fantastic place to use these new technologies, because of what Craft has historically focused on doing. The knowledge and skill that the community can bring will enhance CAD/RP.

The idea that digital fabrication should be viewed as a craft is beginning to build as well.

In the same article under a section called Myths and Surprises, Anna Walker talks about the view that using this technology is easy and simple, something craftspeople who are using the technology point out is false. becoming competent in digital fabrication takes just as much if not more time than some traditional craft mediums as the field is constantly being changed and expanded. "So the blacksmith that has spent years honing their craft is somehow better than someone who has spent years learning code, learning CAD, building their own 3D printer or CNC, and making work? This technology requires the same, if not more, investment of time to learn and explore." [4]

For me, I do not think that the idea that CAD/RP is easy is what is keeping it from entering fully into craft, the problem is how the process of learning goes. Most crafts need to be taught person to person, certainly not all do, and some are more group or individual based, but digital fabrication really goes against this by often being learned and taught outside of a traditional person to person craft education. Learning Rhino - a popular CAD software may be made easier to learn in the classroom, but it is also possible and practical to learn by online tutorials, something that is difficult or impossible when talking about some other craft disciplines.  Without leaving your house, you can start to produce work without ever talking or learning directly from another person. In a society where the teacher-student relationships goes the way back to master and apprentice, this can be very challenging thing to accept and view as equally .

This is also part of its appeal. To begin in CAD/RP all you need is a computer and connection to the . There is little to no formal bar to entry. You do not need a studio; you do not need a teacher. In this way, it is perhaps the most available medium to people, and it is changing the way art is made. In the article "Brave New World" under the section "New Virtual Reality" Anna Walker, says "Digital technologies open up a whole new way of collaborating across vast geographies, designing something in a virtual world and the ability to send, share, and manipulate with many different artists offer exciting possibilities for the field"[5] and this can sometimes come a bit too close for comfort to the DIY movement. The difference between a craftsperson’s use of the CAD-CAM/RP as a material and that of someone who is more of a hobbyist is how they approach and understand . Craftsman tends to be in the habit of thinking about materials and taking into account how they grow, shrink, expand or shift as they are working. By utilizing the traditional method of craft - by knowing and respecting one's materials, then bringing in technology with this mindset, craft will be able to expand out of what it has traditionally been able to do. "Digital Fabrication technology does not threaten craft - it enriches it, and craft, in turn, can improve the digital" [6] says Julie Homes in the American craft article "Brave new world."  By testing what craft can gain from Digital Fabrication both sides will improve and advance both fields to their mutual benefit.

One of the main problems with bringing CAD/RP into the craft world is where it should be placed in the crafting system. It is hard to fully accept something that is viewed as separate. When trying to find a place for CAD/RP one of the main problems is that it can be applied across disciplines and material lines. It does not need to stay with one discipline; it can be applied to many materials and in a multitude of different ways. In this way, it disrupts the basic guild system that the craft world has been based on since the 1400's. The guild system in Europe was divided mainly by material and end product; the woodworkers, the blacksmiths, the metal workers, and so on.

Figure 2- an engraving from 1722 showing a procession of a cloth maker’s guild

[7]Starting as an apprentice you would train under a master and then move through the ranks - being part of a guild at different times in history meant different things, but normally Guilds assured quality and price across their field. For the customer this meant they knew what they were getting and had an idea about who to complain to if they did not. On the craftsman’s end, they were given training, a way to earn a living and when they were advanced enough, help in the form of apprentices to do more basic or menial work. As the guild system changed and shifted over the years. Becoming more specific, and more like trade unions, they kept their same dividing lines, something that even though guilds have gone long ago, and the craft community has changed, we have largely .  For evidence look at the way Art schools segment there teaching, there is the Arts/Craft departments that then split into smaller groups such as ceramic, painting and drawing, Jewelry/metal and textiles. A large part of this is practical, it is easier to teach a specific subject then a broad one.

Figure 3- Bracelet made by Jonathan Boyd, who would be unable to make his pieces without the use of digital processes

I would also argue that although the Craft community sees itself as one when dealing with the larger arts community, inside we remain faithful to the old guild system.

Some have tried to place this technology into the realm of a tool. This makes sense, as it is often just a part of the process of a final object, and can be used as a tool. It also does not disrupt the old systems, many tools cross material lines. However, this does not allow the technology to be viewed to its full potential. Stanley Lechtzin, a professor at Tyler School of Art who introduced computers to the Jewelry and metal studio there in the 1980's, argues that it is not a tool, it is a new medium. In an article for American Craft called "Expanding the toolbox" written by Jo Lauria he says "CAD-CAM/RP are not just tools; they are more than tools. They comprise a medium, because the computer and the 3-D printer provide the materials and the tools to manipulate materials."[8] If we accept it as a new medium then, we have to start thinking about the craft discipline differently, and where the new medium fits. We need to either accept the technology as something of a new discipline entirely devoid from the other craft categories, or start to change the thinking on what makes the underlying basis of the craft categories, apart from materials.

Figure 4 La Voûte de LeFevre Installation 2012

This may be easier for some disciplines than others, for instance in sculpture, were materials have always been a bit fluid, they may advance quicker in adopting the use of this new . In some ways they already have. A good example of this is the 2012 La Voûte de LeFevre plywood Installation. The sculpture talks about the idea of thin structures in contrast to the strength of the object by using Digital fabrication and hand techniques. It is an interesting example because although it is a sculpture and appears to have been built as one, it is often viewed in a design light – particularly an architectural one.

The traditions and hand skills involved in craft will never go away. There is a basic human response to making things with your hands; that will always remain. However, by not accepting that digital fabrication is craft, the craft community will be doing themselves a disservice. By continuing to challenge what we see as Craft Practices we are expanding and pushing forward the craft discipline. It is the love of Craft and the process of making that makes me excited to be part of the craft community and traditions. I love working with metal, and I love ending up with an amazing object. If learning and taking advantage of CAD/RP allows me to do that better then I will gladly embrace this new medium and be happy to help see just how far it can be taken.

[1] Hanus, Julie K. 2014. "Brave New World. (cover story)." American Craft 74, no. 5: 74-83.

[2] Forster, Hal. Design and Crime (And Other Diatribes). 2ed ed. London: Verso, 2002.

<1> "Ctrl P." The Center for Craft Creativity and Design. May 15, 2014. Accessed November 8, 2014. http://www.craftcreativitydesign.org/ctrlp-exhibition/.

[3]Hanus, Julie K. 2014. "Brave New World. (cover story)." American Craft 74, no. 5: 74-83.

[4] Hanus, Julie K. 2014. "Brave New World. (cover story)." American Craft 74, no. 5: 74-83.

 

[5] Hanus, Julie K. 2014. "Brave New World. (cover story)." American Craft 74, no. 5: 74-83.

 

[6]Hanus, Julie K. 2014. "Brave New World. (cover story)." American Craft 74, no. 5: 74-83.

 

<2> Creator : Puschner, Johann Georg, fl. 1705-1750.

Title : Abbildung dess Schönen Umzugs der Löblichen Brüderschafft dess Tuchmacher Handwercks zu Ihren gewöhnliche[n] Neu-Jahrs Tantz nach Wort ... [procession of Clothmakers' Guild; musicians, children, and men carrying symbols of their trade in winding procession before large building; "Nurnberg bey I.G. Puschner Kupfferstecher in d. Ludergass"].

Date : 1722

Repository : Harry Ransom Humanities Research Center, The University of Texas at Austin

ARTstor : ARANSOMIG_10312563133

URL : http://library.artstor.org/library/secure/ViewImages?id=8CJTeyg6KDA9NEA7eD95Q3osXXsr

[8] Lauria, Jo. 2010. "Expanding the Toolbox." American Craft 70, no. 2: 50-57.

<3>  Boyd, Jonathan. "Gallery 2 - 2012." Jonathan Mathew Boyd. January 1, 2012. Accessed November 8, 2014. http://www.jonathanmathewboyd.com/gallery-2/.

<4> Design, Matter. "LA VOÛTE DE LEFEVRE - A Prototype for Volumetric Architecture." Archello. January 1, 2012. Accessed December 2, 2014. http://www.archello.com/en/project/la-voûte-de-lefevre#.

 

tags: CAD, CCA, Craft, Craft History, Jewelry metal arts, Katherina Edgerton, Katie Edgerton, RP, Theory
categories: Uncategorized
Friday 12.12.14
Posted by Katie Edgerton
 

I'm busy

I'm sorry everyone, I have been so busy lately that I have not had time to do a blog post, and i dont have time to do so now, but I live outer places on the web. you can find my Facebook page here, you can find me on Instagram at Katib_Edgerton and here the link to my protfolio website. will post as soon as life is not so busy - love Katie

 

categories: Uncategorized
Wednesday 11.06.13
Posted by Katie Edgerton
 

Busy Busy life

Hi everyone,  

Oh my gosh life has been busy, I always forget how much work school is, so just a brief post hitting the highlights.

mid terms start next week *Sigh* this only really affects my Academic classes but still.

I Finished my five piece suite - Photos below

IMG_0062 IMG_0057IMG_0064 IMG_0084 IMG_0116 IMG_0102

 

The Weather has been lovely

I melted down some Recycled gold - I'm excited to work on it.

The school laser cutters are both awesome and very frustrating.

UMMmmm i think that's it for now.

categories: Uncategorized
Saturday 10.05.13
Posted by Katie Edgerton
 

Major projects this sysmester

Instead of doing this class by class, as I have done in the past and how I reviewed my two academic classes, I have decided to just list my major projects in my three studio classes, and explain a bit about each.1) $5 project – Production Due Sep.10th

Crit. Sep. 12

Make a piece of jewelry out of something you bought at CVS for $5 – you may bring in other materials such as metal to complete the piece, but it can't be the focus.

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This is what I did – the white things are cut up ping pong balls with a bit of gold paint. The whole thing is riveted to a silver band making a kind of huge ring.

2) Stone setting samples – Jewelry 3A

Due Sep. 19th

No crit.

We are learning all the cool stone settings. I have now learned all the tube settings and made samples.

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We had a stone lecture.

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Look at all thoughts beautiful stones!

We still have to do basket settings and prong settings as well as flush and pave settings.

Basket setting on the big stone - notice the band wrapping  around the stone and the prongs holding the stone

this is a prong setting  - the stone is held just by the prongs and is missing the "Basket of the last stone"

Pave or bead Setting is Kind of like a flush setting but so not - all the stones are held in with small "Beads" of metal and is used to make lots of stones set in groups

Flush setting - as you suspect it is flush will the metal

5)piece suite – Production

Due Oct. 1

Crit. Oct 3

Make a five piece set – does not have to be jewelry, they must relate to each other, this is to help us start thinking about collections. I have no idea what I’m doing but I better figure it out…cuz that deadline is approaching fast…

4) Ego Ethnic Projects

Due. Nov 4

Crit. Nov 6

Part one Due: Sep. 23

This is kind of a major and complicated project, but in summary it’s all about personal identity. I hate these kind of projects, which is why up until now I have kind of phoned them in, however I can’t really do that this time. We are supposed to study our background and give a 20 minute class presentation and then base our projects off that. I’m not thrilled, but for the presentation part I’m going to make two infographics which I’m happy about, so that will be fun. This might turn out good or it may be a drag…

5) Five identical piece project – Production

Due. Nov 5

Crit. Nov 7

Make five piece that are the same, and time yourself for the completion of all of them. This may seem a bit silly, I make pieces that look just like each other all the time and I have a fairly rough estimate of how fast I work. For instance, with the circle pendants with the stones like this one, (photo) I can make 5 in about 6 hours, if they are all the same and I do them in assembly line production style. I’m a bit weird in the jewelry department and find this kind of thing fun, but I’m in the minority, most of my classmates have never done anything like this. I’m looking forward to it. Maybe I’ll use a few of those casting skills I picked up freshman year.

6) ego/social Tool project – Jewelry 3A

Due. Dec 4

Crit. Dec 9/11

Make a tool to solve a problem, any problem. We have three questions to ask ourselves, and then we have to go out and ask 40 people a question we came up with that will influence the tool. The tool does not have to solve the problem; it’s representation. This project bothers me, but I think I already know what I’m going to do – something with sound so I can wrap in some cool tech stuff.

7) 5/5 – Production

Due. Dec 10

Crit. Dec 12

These are five piece’s based on an historical art movement – I'm thinking about doing Art Deco. I feel like Art Deco gets a bad rap, REAL Art Deco took the best from the Arts and Crafts movement and the Art Nouveau movement.

That’s really it for studio projects. I’m leaving out Digital Tools because its just a lot of small projects that I hope to wrap into these projects as much as possible.

You will also notice that each project has two dates; a Due date and a Crit date. Its a change to have that this year. In past years your project is due in Crit. For anyone who has never been in a critique, its kind of an intense process where we all go through everyone's work and give encouragement or suggestion. Your grades depend in part on what happens in Crit, what the class thinks and how you respond. Really there is a ton of other stuff on critique that I would love to write about at a later date, but I digress. I'm thrilled about the change. As a person who works hard and plans to avoid pushing deadlines, I am sick of coming into a Crit to see things that are not done, or things that are done but the creator is asleep because they worked straight through the night. All nighters may be a romantic and historic art school idea, and you occasionally need to pull one (I do at least once a semester), but the time to pull one is not the night before Crit! It makes for a suckey Crit for everyone else. I can not be more pleased at the change.

Anyway, that’s all for now – talk to you all later. Katie

categories: Uncategorized
Wednesday 09.18.13
Posted by Katie Edgerton
 

Classes

Ok so my classes have been worked out FINALLY they were really weird before. class layout fall'13

I'm taking Five classes for a full schedule this semester. I have three studio classes Jewelry 3A, Production and Digital tools, And two academic classes, Asian American Lit. and Nature in American Culture.

I am really excited and a bit nervous for the Asian american lit class - it sounds and reads like my first REAL literature class we are reading a lot we are disusing the text, its interesting and intense I'm worried about being able to give this class a adequate amount of my time with my outer studios. I think it might end up as a bit of a slog. My nervousness increased when i went to my other academic class that looks like its also going to be kind of tough but i guess theirs really no reason to worry because there is really nothing I can do because there is no other classes that will fit into my schedule so...

I think the key to getting through this semester is combining projects, so everything that I do in digital tools will have to have impacts in jewelry and hopefully I can role in production and jewelry 3A.

on the plus side all of them look interesting all of them seem valuable, so that's good right.

categories: Uncategorized
Tuesday 09.10.13
Posted by Katie Edgerton
 
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